I finally finished the book a few days ago. Throughout my reading, I periodically abandoned the book but whenever I finally made it back, I found it hard to put down. The drama, deceit, and sensationalism kept me hooked, I guess. These 80 pages to the end of the book, however, were quite painful, and mostly I plugged through it because I just wanted to be done with it.
First, the parts of her story that I can understand: I can understand her frustration with lack of cultural integration. The Dutch government, in wanting to give immigrants their space, decided against forced assimilation. Hirsi Ali is right in demanding that the government not use its anti-integration policy as a way of turning a blind eye to existing human rights violations.
A bit trickier: I also understand her insistence on pointing to the religious bases of some of these human rights violations. But, I think this approach is about cultural sensitivity rather than about attacking religion. When it comes to religiously-motivated crimes, it is not enough to blame culture alone, when such demarcation between culture and religion fails to get to the crux of the matter as the
perpetrators themselves understand it. That is, if a father feels it is his religious duty to kill his daughter for her illicit love affair, then in counteracting that problem, the government must deal with the role of religion in that man's worldview. Again, dealing with religion is about understanding it enough to come up with a solution more attuned to the problem. In the case of religion, it may be about counteracting a particular interpretation with another one. In no case is it about attacking all forms of the religion itself.
Now, the parts I don't understand and which, essentially, belie understanding: I don't understand how someone purportedly tied to the values of liberalism, such as respecting diversity, can continue to attack a major world religion in the crudest of ways, and then wonder why the reaction is so virulent. Of course, actions such as the murder of Theo Van Gogh are not justifiable, but to describe the incident as "I don't understand how someone can be so angry at a mere film" (as Hirsi Ali states in her book) is ridiculously blind to the fact that
Submission was not a mere film. It was a film that insulted its Muslim viewers in the deepest core of their being. At the end of her book, she notes that some people have told her that her criticisms of Islam are too aggressive, but she goes on to say that the pain oppressed women suffer is far worse. But do all Muslims have to be constantly insulted in order for women oppressed in the name of Islam to find relief? According to her atheist dogmatism, religion is the bane of all existence. And so despite billions of people's intimate, meaningful connections to their faith tradition, it is perfectly okay to insult them.
Though her atheism makes it legitimate, in her eyes, for her to insult religion and religious folk, she does take some pains throughout the book to distinguish Islam from Judaism and Christianity. She notes, for example, that "unlike" Judaism and Christianity, Islam requires that its followers' relationship with God be entirely about submission. I am not sure where and when she educated herself about Judaism and Christianity, but she seems to have completely overlooked each of these religion's fundamentalist strains.
For Hirsi Ali, "submission" requires blind following, with no space for questioning or interpretation. In fact, earlier on in the book, when her father tells her about his relatively modern views of Islam, she blows him off by stating that his views are mere interpretations and that real Islam is about literal interpretation. She echoes this thought toward the end of her book when she claims that Saudi Arabia practices the "purest" form of Islam.
In all of this talk of purity and what Islam really is, it never occurs to her that she has basically internalized a particular rhetoric about "pureness" and the essential superiority of literal readings of Scripture. She decides somewhere along the line that this particular rhetoric is the truest expression of Islam. Unlike millions of Muslims who undergo spiritual evolution in the course of their lives as they attempt to better understand their religion, Hirsi Ali somehow knows, for certain, what Islam is. She never doubts it or checks it against the practice and belief of the full diversity of Muslims across the world. Again, I find her naïveté unsettling – and her rise to a position of political prominence even more disturbing.